ART TOUCH COLLECTION Contemporary Chinese Art and Modern Japanese Art Print
About Art Touch Collection
Quietude, 2007, Ink on Paper Mounted on Linen, 27" x 54"
School Time, 2004, Ink on Paper, 18" x 27"
Homestead, 2005, Ink on Paper, 28" x 35" (c) Art Touch Collection, LLC 1997-2008. All rights
reserved. Images of contemporary Chinese art and modern japanese art
print on this web site may not be reproduced without prior permission
of Art touch collection or the artists. | Q. X. WANG (王庆祥 - 大泽人) Born in 1942, Q. X. WANG received his master’s degree from Henan University, China, and his PhD from Indiana University of Pennsylvania in the United States. With studios in NYC and Beijing, Wang divides his time between these two cities. In his art, he “endeavors to employ the best traditional brushwork to explore the newest concepts.” (Q.X. Wang: “Remarks on Art”) As a result, he is able to manipulate the most refined techniques for the expression of contemporary concepts. In accordance with his philosophy, “Difference means art; great difference means great art; no difference means non-art,” Wang persistently pursues reformation and a personal style. Art critic XU Encun, Editor-in-Chief of Art in China, notes that Q.X. Wang is, in art history, a representative figure of those who probe into the essence of art for reformation. He calls attention to the fact that Q. X. Wang has achieved an epoch-making breakthrough by creating a style which is personal, unique, and outstanding at the same time. Art critic LIU Xilin believes that “Q. X. Wang, by establishing his enlightened and original style, has enriched and developed Chinese culture.” XIE Chunyan, a Shanghai-based art critic, remarks “Q. X. Wang has cultivated a new aesthetic tendency by drawing from the West to merge into the traditional, and by transforming the plain into the splendid.” Professor SHUI Tianzhong, in a panel discussion on Chinese contemporary art, concluded: “Q. X. Wang’s art manifests his own way of looking at the world and his own way of life.” Professor Gerald Haggerty calls attention to the role of childhood in the creation of Q. X. Wang’s art, noting the “variegated motifs are all tributaries that spring from a single source, the wellspring of inspiration”—or what Charles Baudelaire defined as genius: “the ability to recapture childhood at will. ”New York-based art critic Dominique Nahas maintains that Q. X. Wang “has successfully developed an art form that can straddle not only various traditions but also art forms.” In recent years, Q. X. Wang has exhibited internationally in renowned museums and galleries such as: the National Art Museum of China, Beijing; the Shanghai Art Museum; the World Journal Art Gallery; and the New Art Center, New York. |
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